Showing posts with label composition. Show all posts
Showing posts with label composition. Show all posts

Thursday, September 11, 2014

La Fille d'Elise, pastel portrait

La Fille d'Elise, pastel portrait, 16x24 in.
Completed last month, and brought to the town of Sireix, in the French Pyrénées, for her parents.  This young woman died very young, soon after her baby son was born. Her parents were happy with the portrait.

Before you start a painting, in whatever medium you are using, watercolor, pastel, acrylic or oil, you must first consider the composition. Where will you place your subject? What will be your most important area in the painting? Cold or warm colors? How will you arrange the different shapes? There is a lot to consider before you pick up the brush or the piece of chalk, or the pencil. Usually, when you start painting, the painting is already done in your head.

Monday, June 2, 2014

NICE, FRANCE, watercolor

NICE, FRANCE, watercolor, 5x7"
This small watercolor was painted on location in Nice a couple of years ago. It is framed, and available in my studio-gallery at The Glashaus, in San Diego, California.

Remember: Balance, Unity, Movement, Proportion, Emphasis are the keys to your composition. And simplify, simplify, simplify!


Sunday, September 22, 2013

FANTASMAS DEL PASADO, acrylic

Fantasmas del Pasado, acrylic, 30x22 in. available for purchase.
Title based on the lyrics of an Argentinian tango.

The Power of Notan. It gets at the essential spirit of a composition, it's pattern and design, through a strict black and white dark-light arrangement. NOTAN is a Japanese word that translates as dark-light harmony. It refers to the arrangement of light and dark patterns that serve as a foundation of a composition. And now.....there is an app for your iphone or ipad for it!! I just got it, it's great!

Thursday, June 20, 2013

MIDNIGHT IN LAPLAND-JUNE 18

Midnight in Lapland-June 18, pastel, 9x12 (22x31 cm.)

Now you have an idea of the varietes of "midnight sunsets" I can see from my front door and windows, if  you look at my last few posts. Unfortunately, last night, June 19, it was so cloudy and dark, that it didn't look like an interesting painting.

Michelangelo Merisi da Caravaggio perfected the Chiaroscuro, the use of lights and shadow for dramatic effect. Following his work, we can use the following guidelines:
-Choose a subject
-Decide on a design and composition for it
-Do a color study.......................................................Now, GET TO WORK!

Tuesday, January 22, 2013

KISS ME , pastel on board

Kiss Me, pastel portrait on board, 10x8 in., available.
For a painting to be successful, one must have:
1. A solid composition
2. An interesting color combination
3. A personal representation of objects
4. A desire to innovate
Enjoy! Now go paint! Then paint some more...