WILD BEAUTY, oil on canvas painting with ceramic "hair" glued to the canvas, 24x36, in exhibition and available for purchase at THE GLASHAUS, 1815 Main Street, San Diego, California.
This art piece is part of a collaborative exhibition by the artists at The Glashaus Studios and Gallery. We combined our artistic skills and crazy ideas, and came up with new work we had not even imagined before we started! We surprised each other and ourselves. The result was a fantastic collaboration of different media never attempted before. It was awesome! It is a beautiful show, only two more weeks.
Showing posts with label oil painting. Show all posts
Showing posts with label oil painting. Show all posts
Monday, March 9, 2015
Thursday, February 13, 2014
UNDERSTANDING, oil on book cover, framed
UNDERSTANDING, oil on book cover, framed, 28x40 cm.
This is one of a series of four paintings on book-covers, framed. I painted them in France, although two of the book covers were in English. I experimented working with book covers, sealing the inside and the outside of the discarded book-cover before painting. The cover and the title of the book gave me the inspiration no how to go on.
The complete series of four: Understanding, Truth, Beauty and Eternity, are in exhibition at Kettner Arts Studio and Gallery, in Little Italy, San Diego, California. The Reception is tomorrow Friday, February 14, from 6-9 pm. I hope to see you there!
This is one of a series of four paintings on book-covers, framed. I painted them in France, although two of the book covers were in English. I experimented working with book covers, sealing the inside and the outside of the discarded book-cover before painting. The cover and the title of the book gave me the inspiration no how to go on.
The complete series of four: Understanding, Truth, Beauty and Eternity, are in exhibition at Kettner Arts Studio and Gallery, in Little Italy, San Diego, California. The Reception is tomorrow Friday, February 14, from 6-9 pm. I hope to see you there!
Wednesday, May 16, 2012
Closing Reception, Auction
PEREGRINO, oil painting on coffee bag, 30x22. Available.
CLOSING RECEPTION at Gallery 21, Spanish Village Art Center, Balboa Park, San Diego, California, on Sunday May 20th, 3:00-6:00pm. Silent Auction of some pieces of artwork by Minnie Valero and Mariko Irie. Original and beautiful landscapes and figures. Come for the wine, stay for the art!
CLOSING RECEPTION at Gallery 21, Spanish Village Art Center, Balboa Park, San Diego, California, on Sunday May 20th, 3:00-6:00pm. Silent Auction of some pieces of artwork by Minnie Valero and Mariko Irie. Original and beautiful landscapes and figures. Come for the wine, stay for the art!
Tuesday, October 11, 2011
Lucrezia
Lucrezia, oil on canvas, 24x20" (60x50 cm.) Sold in San Diego, California.
William Turner was a pioneer in abandoning the old belief that pictures should have a predominantly warm tonality, which was actually the result of old yellowing varnish. He had the idea of "cool collaboration", and used it for the subject of fire and water, in his painting: "The Burning of the Houses of Lords and Commons" (1834).
Lucrezia, oleo sobre canvas. Vendida en San Diego, California.
William Turner fue un pionero en abandonar la vieja creencia que las pinturas debian tener una tonalidad predominantemente calida, que en realidad era el resultado del barniz viejo volviendose amarillo. El tenia la idea de la colaboracion de los colores frios, que uso para el fuego y el agua en su pintura: "El incendio de las Casas del Parlamento". (1834).
William Turner was a pioneer in abandoning the old belief that pictures should have a predominantly warm tonality, which was actually the result of old yellowing varnish. He had the idea of "cool collaboration", and used it for the subject of fire and water, in his painting: "The Burning of the Houses of Lords and Commons" (1834).
Lucrezia, oleo sobre canvas. Vendida en San Diego, California.
William Turner fue un pionero en abandonar la vieja creencia que las pinturas debian tener una tonalidad predominantemente calida, que en realidad era el resultado del barniz viejo volviendose amarillo. El tenia la idea de la colaboracion de los colores frios, que uso para el fuego y el agua en su pintura: "El incendio de las Casas del Parlamento". (1834).
Wednesday, October 5, 2011
Symphony
Symphony, oil on canvas, 10x10" (25x25cm.) Disponible: 300 Euros, or $450 US. Mailing within US or Europe included.
John Gage, in his book: COLOR IN ART, explains extensively the history of some colors in daily life, and on the painter's palette. "Color is implicated in physics, in chemistry, in psychology, in physiology, in geography, as well as in language and philosophy."
Symphony, oleo sobre tela, disponible. Envio aereo dentro de Estados Unidos o Europa esta incluido.
John Gage, en su libro: COLOR IN ART, explica con detalle la historia de algunos colores en nuestra vida cotidiana, y en la paleta del pintor. "El color esta implicado en fisica, en quimica, en psicologia, en fisiologia, en geografia, y tambien en el lenguaje y la filosofia."
John Gage, in his book: COLOR IN ART, explains extensively the history of some colors in daily life, and on the painter's palette. "Color is implicated in physics, in chemistry, in psychology, in physiology, in geography, as well as in language and philosophy."
Symphony, oleo sobre tela, disponible. Envio aereo dentro de Estados Unidos o Europa esta incluido.
John Gage, en su libro: COLOR IN ART, explica con detalle la historia de algunos colores en nuestra vida cotidiana, y en la paleta del pintor. "El color esta implicado en fisica, en quimica, en psicologia, en fisiologia, en geografia, y tambien en el lenguaje y la filosofia."
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