Sunday, February 28, 2010
Delphic Sibyl
Sistine Chapel
I drew a quick sketch of one of the Sibyls, with my head looking up at the ceiling, and back down at my paper, till my neck hurt so much! I kept thinking how much more tiring it must have been for poor Michelangelo, high up there on scaffolds, illuminated by candlelight. I colored my drawing back at home, not daring to use watercolors in the Sistine Chapel. The guards kept telling people "No pictures!", and everybody took them behind their backs. Michelangelo's Libyan Sibyl, watercolor and ink, 4x6" (10x15cm.) painted in Rome, November 2009.
The Vatican
There was so much corruption in Rome at the time of Michelangelo, that to set a high moral example, he made no charge for his dessign of the dome, dedicating it to the Madonna. He had always venerated her (his mother had died when he was 5 years old). The dome was constructed between 1546 and 1564, dessigned free of charge by Michelangelo Buonarotti.
Saturday, February 27, 2010
Autoportrait on Green Paper
Friday, February 26, 2010
Impression, Marbella
Impression, Marbella is a pastel, 16x20" (40x50 cm). Marbella is a beautiful beach town in the South of Spain. Sunsets are awsome. Barefoot walks on the beach are heavenly.Good news today! I've had Sunset Tales at Mission Bay accepted into the juried exhibition of the North County Society of Fine Arts, at the Poway Center for the Performing Arts. To see this oil painting, go to the February 7th post, titled like the painting. Please come to the reception and award ceremony on Saturday, March 13, 2:00-4:00 pm. at the Poway Center for the Performing Arts.
Thursday, February 25, 2010
Le Haricot Tarbais
this blond lady with a red sweater and a blue scarf caught my eye.
I painted her, and different market scenes many times, including this oil painting. When I returned to Cauterets the following summer, I talked to her and told her I had painted her. Her name is Magda, we chatted for hours and became friends. Now we visit each other often. I have also painted a portrait of her beautiful daughter, Nina. Magda shares her time between her farm in the Pyrenees, and her career as a tourist guide in Paris. Thanks to her I have had the opportunity to know Paris better than ever before! And our friendship started with one little sketch done quickly, when she wasn't looking....
Le Haricot Tarbais, oil on canvas, 27x46cm (11x18") In the home of Mme. Brigitte Scellier, Cauterets, France.
Tuesday, February 23, 2010
Mirror, mirror...
Monday, February 22, 2010
Emily and Rosie Learning Together
Emily is the girl, and Rosie is the beautiful horse. Last year, my grandaughter Emily was learning to ride Rosie. Rosie was learning to allow people to ride her, after having been mistreated for some time. So both of them were working hard, and both had instructors to help them. I took dozens of pictures of them together, and did some quick sketches on site, then I did this pastel. I think you can see Emily's expression on her face.Emily and Rosie Learning Together, 20x16" (50x40 cm.), pastel, 2009. In the home of Tim and Marina Dillingham, San Diego, California.
Morning Catch
Sunday, February 21, 2010
Grandma's Joy
From a picture taken by her father, I painted this pastel portrait of my grandaughter Natalie last year. Grandma's Joy is 10"x8" pastel (25x20cm) on swede board. I started with hard pastel sticks, then continued with the softer Rembrandt, finishing with the extra soft Schmincke pastels.Natalie is a smart girl. She loves to read, paint, and play games she invents.
Thursday, February 18, 2010
Le Pont de Van Gogh then...and now

Autumn `a Cauterets
Growth as artists happens slowly and almost unconsciously. Beginners are often concerned with finishing a painting, with the end result, but we actually learn more from each attempt, and with failure. We must take risks! I draw and/or paint all the time. I carry a small sketchbook with me, and do value studies or small watercolors or quick pencil sketches on buses, airplanes, in cafes and restaurants, in the car while somebody else is driving. This is a great way to study people and places. When we have to work quickly we can grasp the essential elements, which sharpens our perception.Wednesday, February 17, 2010
King Louis
8x5 in.(20x13cm)Monday, February 15, 2010
My Dream, Cauterets
Monts geles et fleuris, trone des deux saisonsDont le front est de glace et le pied de gazons,
C'est la qu'il faut s'asseoir, c'est la qu'il faut entendre
Les airs lointains d'un cor melancolique et tendre.
Poem by Alfred de Vigny, describing the beauty of this small mountain town in the French Pyrenees, Cauterets. (I'm sorry I couldn't put the accents in place. I haven't figured out how to change the language for the blog.)
Sunday, February 14, 2010
It's not about the wave
Saturday, February 13, 2010
A Media Luz
A Media Luz (Spanish: at half light, or twilight) is an acrylic painting of tango dancers I did as part of my Tango series. The image measures 30x22 inches (75x55 cm.) The title reflects the words of this famous tango: "Y todo a media luz...a media luz los dos..." (and everything with half light, both of us in half light...) very romantic.It has just been accepted for exhibition at the San Clemente Art Gallery, in San Clemente, California. The exhibition runs till the end of March 2010.
Friday, February 12, 2010
Larissa in Irak
Larissa in Irak, watercolor, 22x15 inches (55x37 cm.) I started this painting with a monotype. I knew I wanted the colors of the American flag as a background, so I laid the watercolors on an acrylic sheet, reversed: the blue on the right hand side. I then placed the Arches watercolor sheet carefully on top, and put weights on it: tons of heavy books. I waited for a couple of hours, then lifted the paper: voila! I had the "flag" as background. Next I painted a blue "storm", and the three female soldiers in Irak, with my handwritten words of a poem by the real Larissa, a poet who has been a soldier in Irak. The soil is gold. It was an emotional painting for me. Larissa in Irak has just been accepted at City of Brea Art Gallery's Made in California juried exhibition from 27 March-7 May 2010.
Thursday, February 11, 2010
Pine Cove, Idyllwild
Pine Cove, Idyllwild, watercolor, 4x6 inches (10x15 cm).One lovely afternoon in 1997, I painted this small watercolor just for fun, sitting at the end of the deck in our mountain cabin in the forest. Pine Cove is in the outskirts of Idyllwild, about two hours East of Los Angeles, California. I forgot about the little painting, until a few weeks later, when a painter friend, Etti, asked me to enter it into a show at the South Bay Watercolor Society in Long Beach. Since I had never entered a show, he helped me with the paperwork, the framing and wire, etc. My little fun painting was accepted! That was the first time my work was exhibited in an art gallery. Recognition and reassurance feels like warm water over your back: wonderful! I paint for pleasure, for meditation, for therapy. And when somebody likes my work enough to buy it, to accept it into a gallery, or to give it an award, my spirit soars! I can say with Hellen Keller: "The story of my life is the story of my friends".
Wednesday, February 10, 2010
MichelAngelo's Creation
MichelAngelo's Creation, 2007, watercolor, 8x10 inches.I painted this watercolor inspired by Michelangelo's famous ceiling. It was meant as "creation", but I was thinking today that it could also be a symbol for "reaching out and touching somebody". In today's cyber-world, a gentle touch, a smile, a hug, positive comments, unexpected flowers, can mean so much. Go ahead and touch somebody.
Tuesday, February 9, 2010
Runaway Dreams

This painting is about life, running away from us faster than we can believe. No Botox, extreme exercising, diet, surgery, will bring back our youth. We see our seconds, minutes and days, our dreams and desires, escaping softly into the universe. We must celebrate our life. My friend Helen turned 80 years old a few days ago. She celebrated her 29,200 days with the following poem:
EIGHTY
I'm looking at eighty, the big Eight-O And I'm overwhelmed.
How did it happen?
Sixty is old, seventy is ancient, But eighty--that's incredible!
You can turn 80 upside down and it's still 80.
And if you stack the 0 in a vertical row On top of the 8,
It could be three 0's in a column
Which wins the game in tic-tac-toe!
Put the 8 on its side with the 0 Lying next to it
And it looks like 2 lemons and an orange
Which may get you something From the slots in Las Vegas,
But doesn't do much for me in its chronological
Reality.
So, eighty-schmeighty, what do I think?
Hey, it's only a number! Right?
Monday, February 8, 2010
Morning at San Clemente Pier
I started on location, right there on the beach in San Clemente. Then I took it home and finished it in a few more days. It was exhibited in the San Clemente Art Gallery the following month. Today I drove from San Diego to Lake Forest, passing by San Clemente, and its pier. It was a bright, beautiful day. Here in Southern California we often forget how lucky we are to have such a weather in winter, when the rest of the USA is under a heavy blanket of snow.Sunday, February 7, 2010
Sunset Tales
Saturday, February 6, 2010
Three is a Crowd
This is a watercolor on Arches paper. I started with a monotype, then did the watercolor based on my visit to Crystal Cove beach, with all those sandpipers running around like they are late for the opera, and won't be allowed to get in. They are so funny. So this painting, Three is a Crowd, is a full sheet, 22x30". Today it has been cloudy, raining, and then sunny in San Diego. The sky looked somewhat like this one.
Friday, February 5, 2010
Malena
Today is my birthday. I feel like "Malena", going forward in life toward new experiences. Malena is the name of a tango. I used it for this acrylic painting I did in 2008. I started with an abstract background, then superimposed the figure of a woman. It is a fairly large painting, 30x22 inches. It won the Award of Excellence from the American Juried Art Salon in Texas in December 2008.
La Boca
Wednesday, February 3, 2010
Refugee
Painted Rock to Printed Page
Hi there,Day 2: Today I finished reading Painted Rock to Printed Page by Francis Rogers. I've selected a pastel painting of La Boca de la Verita (famous old sculpture in Rome) I did a couple of years ago, to illustrate my feelings for this book. It was very interesting to follow the process of discovery of a better and better writing system from the caves of Altamira, Spain, to the present day. We've been writing on rocks, then on clay, papyrus after that, wood covered with bees wax, pergamun, silk, and finally paper. And now...blogging on a keyboard. Did you know the Sumerians had pictures which stood for a sound? Did you know the Phoenicians wrote on wood tablets coated with bees wax writing with a sharp instrument, the stylus? Did you know that the word "history" comes from the Ionians (Greek) and that it means "inquiry": the search for truth and knowledge?
That's what Herodotus, from Ionia, did. Herodotus decided to see the world and write about it, searching truth and knowledge. He started out when he was 20 years old, taking notes about everything he saw and experienced. It must have been so hard to keep track of that information since he was limited to waxen wooden tablets and stylus, also probably papyrus and ink. Both materials are cumbersome, heavy, and also fragile. This story is dear to my heart, because I also travel and carry my writing and painting materials with me. The book is informative and extremely easy to read.



